Archive for the ‘industry’ Category

Budget 2014

15th October 2014 by Maura McHugh

On Tuesday, 14 October the details of 2014 Budget were announced. Here are the highlights in relation to the Arts:

  • €4 million package to roll out an integrated plan to commemorate 1916
  • Funding for current expenditure has increased for the first time in six years
  • Financial support for our National Cultural Institutions has been protected, following several difficult years of cutbacks
  • Minister for Finance commits to explore measures to boost the film and TV sector
  • The artist tax exemption is increasing by €10,000 from €40,000 to €50,000

During her statement about this year’s budget the Minister for the Arts, Heritage and the Gaeltacht, Heather Humphreys TD said:

“I am particularly pleased that the Minister for Finance, Michael Noonan TD, has today signalled his intention to look at ways to further boost the film and TV sector. More than 5,000 people are employed in the Irish audio visual sector, which has gained a very strong reputation internationally in recent years. Increasing the €50 million cap for film tax relief would help to attract more international projects to Ireland and create hundreds of new jobs, and I look forward to pursuing this in more detail with Minister Noonan over the coming year.”

“The increase in the threshold for the artists’ tax exemption from €40,000 to €50,000 is a clear recognition of the need to support artists. Artists are the bedrock of our culture and they continue to represent us at home and abroad with great distinction.”

The Irish Minister for Finance, Michael Noonan TD said on this matter:

“The new Irish film tax credit scheme is due to commence in 2015 and I am very pleased that it has been broadly welcomed by the film industry. The film industry is very important to modern Irish culture and to the economy, not just in terms of jobs but also indirectly through tourism promotion. As the new scheme beds down next year, I will be monitoring how it works and how it can be improved. One of the issues that I will consider in the context of Budget 2016 is a possible increase to the €50 million cap on eligible expenditure, subject of course to resource constraints.”

Earlier in 2013, the Irish government extended the Section 481 scheme to 2020 and increased its value to 32% as of 2016. This improvement and the change announced in the 2014 budget has now been brought forward to 2015.

Galway Pitching Award 2010

13th May 2010 by Maura McHugh

The Galway Film Fleadh Pitching Award is now open for submissions.

The pitch should be a 500-word story idea for the screen, and each entry is reviewed by a panel selected from the film industry. The best five are short-listed.

The five writers are contacted and invited to present their pitch to a panel of judges. This takes place in front of an audience during the Galway Film Fleadh.

The winner of the competition receives €3,000, and the attention of the industry.

The deadline for applications is Friday 18th June 2010 and further details are available on the website. Each entry must be accompanied by a €30 fee.

Coming Up in Belfast

10th May 2010 by Maura McHugh

Northern Ireland Screen has teamed up with Channel 4 and Touchpaper TV to host a special Coming Up event in Belfast on Wednesday 19th May.

Coming Up is the only talent scheme currently in the UK where emerging film-makers have the opportunity to make an authored drama with a guaranteed network broadcast.

Ben Stoll, Channel 4’s Coming Up commissioning editor, Elinor Day and Emma Burge, Touchpaper producers, will be in Belfast along with local writer Ronan Blaney, who wrote Boy one of the successful 2010 Coming Up films. Three of this year’s diverse 30 minute films will be screened, including Boy.

Applications are now open for Coming Up 2011, after the screening Ben will explain what Channel 4 is looking for. Emma and Elinor will discuss how the production works and Ronan will speak about his experience of the scheme. There will also be time to network following the event.

This is an excellent opportunity for writers and directors who are trying to break into the film and television industry.

The event is free of charge and Northern Ireland Screen strongly encourage all local writers, directors and emerging short and feature film makers to attend. Places are limited so please contact ursula@northernirelandscreen.co.uk as soon as possible to secure a place.

Date: Wednesday 19th May
Time: 6.00pm
Venue: Moviehouse Cinema, Dublin Road
Contact: ursula@northernirelandscreen.co.uk

Further information on Coming Up can be found here.

Give me Direction II

29th April 2010 by Maura McHugh

After the success of last year’s event, Bord Scannán na hÉireann/the Irish Film Board announced yesterday the return of the screenwriting event Give Me Direction, which will be run in association with the Jameson Dublin International Film Festival.

This year the focus of the conference will be on interrogating the topic of comedy in filmmaking. The two day event will be held on Thursday 17th and Friday 18th June in Dublin.

Further details of the event and the release date for tickets will be announced shortly.

West End Remains Popular

19th April 2010 by Maura McHugh

According to the Hollywood Reporter theatre is still proving very popular in the UK despite the recession, and the latest figures reveal that attendance at the West End in London hit 14 million last year and box office revenue made a record £500 million.

The current success owes to several factors, not least of which is a high standard of excellence. Critics have joined the public in being generally bowled over by the range and quality of what has been presented of late.

Two more reasons for the growing appreciation of what’s onstage: The lackluster state of British film and television means local talent is gravitating to the theater; and the development of well-trained directors.

Says Almeida artistic director Michael Attenborough: “TV in the U.S. is infinitely stronger. Most U.K. sitcoms are pathetically vulgar and crude.”

Meanwhile, the current crop of top stage directors is among the most innovative and distinctive to date, with Rupert Goold (“Enron”), Michael Grandage (“Hamlet,” “Red”), Howard Davies (“All My Sons”), Christopher Morahan (“The Caretaker”), Ian Rickson (“Jerusalem”) and Nicholas Hytner (“London Assurance,” “The Habit of Art”) following in the footsteps of Sam Mendes, Richard Eyre, Stephen Daldry and Trevor Nunn.

Says Burns simply, “We train great directors.” It shows.

Burns, who runs Nimax Theatres with U.S. producer Max Weitzenhoffer, adds: “Not only are more people coming, they’re paying more money to see the plays and musicals. Last year, it was a coincidence that so many plays came to fruition in one performing year. It was very much the year of the play. But that doesn’t mean the musicals were struggling — it means the plays did better.”