Archive for the ‘new media’ Category

Storyland Online

13th March 2009 by Maura McHugh

A reminder that RTÉ’s online drama competition Storyland kicks off at 5pm, Monday the 16th of March 2009.

Pilots of nine dramas will be made available for viewing online. Viewers have until 5pm, Monday the 30th March to vote for their favourites.

Only eight projects will proceed onto the next round.

Canadian Fund Highlights New Media

11th March 2009 by Maura McHugh

It’s worth noting an article on Canada’s Globe and Mail about the change in direction of its federal government’s funding for film.

Canadian Heritage Minister James Moore unveiled a new super-fund, called the Canada Media Fund (CMF), which is amalgamating three previous schemes into one, for a combined $134.7 million in government financing.

It doesn’t mean more cash, at least for now – but Moore was adamant that money can be spent more efficiently and will be focused on Canadian drama and comedy across the country. The government will give preference to projects developed in high definition and on more than one platform, such as television shows that incorporate interactive games, webisodes, podcasting or online streaming. That adds up to an added burden when designing projects for CMF support, but Moore said new media needs to be drawn out of its silo and into the production mainstream.

“New media isn’t frankly new media any more. I watch more television on my iPod than I do on my actual conventional television set,” said Moore.

TV’s Future in NI

6th January 2009 by Maura McHugh

On Monday the 19th of January, 2009, from 6-8pm at the BBC’s Blackstaff House in Belfast, Equity is offering a free seminar on the future of television, called “Television Is Changing – Are You Ready?”

It’s open to Equity members, producers, agents, casting directors and other industry professionals.

Join Equity at this interactive seminar designed to give you the opportunity to find out about the work that Equity has been doing in response to the expansion and development of new technology in the world of television production, broadcasting and throughout the entertainment industry.

The key themes covered include:

  • TV Is Changing: The way actors work and are paid will change as a result of the revolution that is taking place in broadcasting. This campaign is part of Equity’s effort to provide you with the information you need to help you make informed choices about the implications of the coming changes.
  • Pan-Industry Negotiations: Equity has been meeting with representatives of all the major broadcasters and independent producers in the British television industry with the goal of negotiating a pan-industry agreement that will bring together the best of the many individual deals that currently exist.
  • New Media Deals: Find out about the work the union has already done in areas such as mobisodes, podcasts, internet-only productions and games.

Places are limited, so if you wish to attend you must book a place in advance: details are listed on Northern Ireland Screen’s web site.

WGA in Arbitration

2nd December 2008 by Maura McHugh

Last month the Writers Guild of America West announced that it had filed for arbitration against the Association of Motion Picture and Television Producers – the AMPTP – over non-payment of residuals from new media.

“Our agreement with the companies on material released to EST covers feature films produced after July 1, 1971, and television programs produced after 1977,” said John F. Bowman, WGAW Board member and chair of the 2007 WGA Negotiating Committee. “The companies have reneged on this agreement and are taking the position that only programs produced after February 13, 2008 are covered by the new provision. This may be their deal with the DGA, but that was never our agreement. Every proposal we made during negotiations made clear our position that library product was covered, and the AMPTP never objected to that position. The Guild will not allow this to stand.”

The Guild is also preparing to file for arbitration against the AMPTP companies for failing to pay residuals due for the streaming of television shows on the Internet. “Our tracking has shown that episodes are staying on websites longer than the 17-day initial window called for in the contract. This triggers the payment of a residual, but so far we’ve seen nothing,” said David Young, executive director of the WGAW. “Given the reports by the conglomerates of the growth of the number of shows being streamed and increases in new media revenues, this is an unacceptable situation.”

“In light of the fact that writers are not being paid for new media reuse, it’s unconscionable that the AMPTP proclaims on its website, ‘By working under an expired contract, SAG members are not receiving the new media residuals that other Guild members are already collecting,’” said WGAW President Patric M. Verrone. “The companies know what is being streamed, and they regularly announce how successful they are in generating online advertising revenue, so there’s no reason for them not to honor the agreement they made with us.”

Nikki Finke’s Deadline Hollywood covers the reply from the AMPTP as well as the WGAW’s response to the excuses.

MAMA 08

1st December 2008 by Maura McHugh

Last week the Media And Multicultural Awards (MAMA) 2008 were handed out at a ceremony in the Abbey Theatre.

The awards, which were established by multicultural newspaper Metro Éireann, aim to recognise people, groups, companies, institutions and media platforms that promote diversity and multiculturalism in Ireland.

Saviours, the documentary film by Ross Whitaker and Liam Nolan about the St Saviours Boxing Academy, won two awards: first place in the Visual Media category, and the St Saviours Boxing Academy was awarded a special bursary of €5,000 from the Iris O’Brien Foundation. This award was for an individual or organisation that positively responded to cultural diversity in Ireland.

The documentary was funded by the Irish Film Board, and it reports:

Liam Nolan picked up the award for Saviours and said afterwards, “It’s brilliant for the film to be recognised at these awards because we really felt that the film could say something positive about the benefits of a multicultural outlook. And we’re very happy that the club has received a very well-deserved award too – it’s nice to give something back.”

Ross Whitaker added, “We didn’t want the film to be overtly political but we still feel that it raises awareness about some issues related to race and we feel that the film can really make people think differently about these issues. We feel that this is a really important award and we’re delighted to have been won it.”

Here is a full list of all the Awards and their winners:

Multicultural

  • Individual: Utsav Lal
  • Non-Governmental Sector: Fáilte Isteach Project (Third Age Foundation/Mary Nally)
  • Public Sector: Dublin City Libraries – Many Faces Many Places
  • Private Sector: Crowne Plaza Hotel, Dublin Northwood
  • Multinational Organisations: Dell

Media

  • Print Media: Kid’s Own Publishing
  • Broadcast Media: Spectrum, RTE Radio One
  • Visual Media: Saviours Documentary – Ross Whitaker & Liam Nolan
  • Student Media: Julian Ulrichs and Richard Walsh – FGM: No Way Home
  • Online/Web Media: Garda John Condruin / www.nicnewcommunities.ie

Foras Na Gaeilge Award: In the Name of the Fada/Des Bishop

Iris O’Brien Foundation Bursary Award: St Saviours Boxing Club

National Action Plan Against Racism Award: O’Connell School, Dublin